Orchestral
The Widening Gyre, for orchestra - written for the Tonkünstler Orchestra as part of the Grafenegg Festival Ink Still Wet Workshop 2023
Concerto for Baritone Saxophone, Small Orchestra, and Electronics (2011, rev. 2015/18) - PIANO REDUCTION NOW AVAILABLE - funded by a University of Puget Sound Arts and Humanities Research Grant
A Current of Time, for chamber orchestra (2013) - Premiered by the Octava Chamber Orchestra, Seattle, WA
Solo and Chamber
Threshing Floor, for e-flat clarinet alone - to be premiered - written for Andrew Friedman
Jacob and the Angel, for two alto saxophones - written for Bennett Parsons and Scott Chamberlin
Two Wilde Poems, for soprano voice and string bass (2018) - written for Departure Duo
Labyrinths, for chamber ensemble - written for Latitude 49 (2015)
Sonata for Alto Saxophone and Piano - written for Lucas Hopkins (2013/14)
Babel, for saxophone quartet (2014) - winner of the 2014 Sinta Quartet Commissioning Competition (featured on the Sinta Quartet’s debut album, Collider)
New Century Poetry, for saxophone, violin, and piano (2011)
Wind Ensemble
Chain-Symphony, for wind ensemble and electronics (2012) - funded by a University of Puget Sound Arts and Humanities Research Grant
Three Miniatures, for wind ensemble (2011) - commissioned and premiered by the University of Puget Sound Wind Ensemble
Saxophone Ensemble
Verklaerte Nacht (1899), Schoenberg, arr. for saxophone sextet (2020)
“Lisa’s Act III Scene and Arioso,” from The Queen of Spades (Tchaikovsky), arr. for soprano and saxophone ensemble (2019)
“Senza Mamma” from Suor Angelica (Puccini), arr. for soprano and saxophone ensemble (2019)
Other
This, My Violent Machine, jazz symphony for expanded jazz orchestra (2010) - funded by a University of Puget Sound Arts and Humanities Research Grant